Our Wolves by Luanne Castle (Spring 2023)

Please join us for our Spring 2022 blog tour for Our Wolves by Luanne Castle, published by Alien Buddha Press in March 2023.

Advance Praise:

In Our Wolves, poet Luanne Castle navigates the timeless story of “Little Red Riding Hood” in a compelling collection of sharp, memorable poetry. Familiar tales are ageless for a reason. Their magic is that they can easily be transformed to explore subjects of abuse, danger, sexuality, self-sufficiency, and interpersonal relationships in a way that makes these challenging topics palatable to readers. Trying to find the reasoning behind Red’s traumatic adventure, as well as using it to comment on contemporary events, Castle creates taut narratives and sympathetic monologues to show how the story shapeshifts with the teller. Here, we hear from the wolf, the huntsman/woodcutter, Grandmother, townspeople, and Red herself. Not just a victimized or innocent child, Castle’s Red also appears in wiser (and sometimes older) incarnations that are knowing, rebellious, resilient, and clever. This technique subverts stereotypical conventions and shows that Red’s story “is not so very different from yours / and yours and yours and yours and yours.” Filled with atmospheric power, dynamic portrayals, and bright imagery, Our Wolves will haunt you long after you’ve returned from its woods. -Christine Butterworth-McDermott, author of The Spellbook of Fruit & Flowers

In this recasting of the Little Red Riding Hood tale, Luanne Castle’s wolves are not the wolves skulking in our imaginations. Her poems challenge our senses, bounce from view to view, shifting their focal points. Grandmothers and red-coat-wearing girls may or may not bear guilt. Indeed, Granny may be the Wolf. Or the Wolf may be a father, pulling down panties to slap bare skin. The story is told “to search / for who, not why. It’s all about blame.”; Which is, of course, only one truth lurking within this fable. The poems in Our Wolves burrow under your skin and into your flesh. They don’t let go, no matter how you scratch; they’re unsettling, magical. Relentless. Unforgettable. -Robert Okaji, author of Buddha’s Not Talking

“Perhaps you were wrong.” In these imaginative and evocative poems, expectations are subverted, and flat, centuries-old characters are brought to life in both amusing and startling ways. Castle tells the old story of Red Riding Hood from new angles and perspectives, creating a multitude of responses from the reader, eliciting from us everything from moments of cringing to laughter. Most interestingly, Castle subverts the predictable and achieves complexity by using an unlikely combination of forms and mixed modes–from the more traditional lineated lyric and narrative poems to the unexpected Haibun and Abecedarian, using every technique available to create this lively and memorable book. These poems invite us to confront what we take for granted and then let loose our own inner wolf to bite in and savor them all–one well-crafted word at a time. -Kimberly K. Williams, author of Sometimes a Woman and Still Lives

About the Author:

Luanne Castle lives in Arizona, next to a wash that wildlife use as a thoroughfare. She has published two full-length poetry collections, Rooted and Winged (Finishing Line Press 2022) and Doll God (Aldrich/Kelsay 2015), which won the New Mexico-Arizona Book Award for Poetry. Kin Types (Finishing Line Press 2017), a chapbook of poetry and flash nonfiction, was a finalist for the Eric Hoffer Award. Our Wolves (Alien Buddha Press 2023) is her second chapbook. Luanne’s Pushcart and Best of the Net-nominated poetry and prose have appeared in Copper Nickel, American Journal of Poetry, Pleiades, River Teeth, TAB, Verse Daily, Saranac Review, and other journals.

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Blog Tour Schedule:

March 7: The Book Lover’s Boudoir (review)

March 9: the bookworm (review)

March 16: Anthony Avina’s blog (review)

March 20: True Book Addict (review)

March 20: Books Parlour (review)

March 24: A Bookish Way of Life (review)

April 14: Impressions in Ink (review)

Follow the online marketing tour with the hashtag #OurWolves

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Rooted and Winged by Luanne Castle (Sept.-Oct. 2022)

Please join us for our Fall 2022 blog tour for Rooted and Winged by Luanne Castle, published by Finishing Line Press in September 2022.

The poems of Rooted and Winged explore the emotional and physical movement of flight and falling. They are of the earth, the place of fertile origins, and of the dream world we observe and imagine when we look upward. Golems and ghosts that emerge from the ground, as well as the birds and angels that live above us, inhabit the collection. We will always be striving for flight, even as we feel most comfortable closest to the earth.

Advance Praise:

“The poems of Luanne Castle’s Rooted and Winged are embedded in land and weather. ‘Bluegills snap up larvae in slivers of illusory light,’ she writes early in the collection, hinting at the sensibilities of the companionable speaker who will usher us through the book. She sees. She is open to the world out there. She calls herself ‘unknown but solid,’ a teller of ‘tiny limitless tales.’ She is engaged in the retrieval of generational memory: ‘one hairbrush, a plastic ball / a swaying branch, leaves decaying / the insides of my grandmothers’ fridges / bubble and pop into shards of memory / dangerous to the touch,’ she writes, enacting the progression from concrete detail to concrete memory to the kind of numinous memory that can be combustible. How rare it is, to discover a writer who notices that ‘Grandma used to stand under the bulb over the sink that haloed her and pearlized the onions she chopped,’ who can bring language to this: ‘When the last star falls to the others, / it darkens like the hush in a theatre, / a twinkling or two from silence.’ There is no arrogance in this book, but there is power.” –Diane Seuss, Pulitzer Prize winning author, author of frank: sonnets, Four-Legged Girl, and Still Life with Two Dead Peacocks and a Girl

“Luanne Castle’s Rooted and Winged is an intimate journey through a topography where home encounters wilderness, and where the speaker must determine what she owes to her children, to aging loved ones, to the land and its wild inhabitants, and to herself.  In poetry that reveals the connection between what we inherit and what we leave behind, between what changes and what remains constant, Castle explores the mystery of what happens after a person ‘survives [her] own birth.’ The resulting work is undeniably graceful, compelling, and heartrending. ‘The way the sun came between me and the water will always seem like an introduction,’ Castle writes, as she deftly creates, from the seemingly mundane, ‘something splendid.'” –Chera Hammons, author of Maps of Injury

“Rooted and Winged is a fitting title for this collection of poems that plant themselves in reality but often hint at the surreal. Throughout, Luanne Castle has mastered sound and image: ‘I’ve done my best with feet and fists, my small / lungs blossoming like paper flowers in water…’ The poem that lingers most for me is ‘A Year in Bed, with Windows’ in which stark details create a palpable intimacy.” –Karen Paul Holmes, author of No Such Thing as Distance.

About the Poet:

Luanne Castle’s new poetry collection is Rooted and Winged (Finishing Line Press). Kin Types (Finishing Line Press), a chapbook of poetry and flash nonfiction, was a finalist for the Eric Hoffer Award. Her first collection of poetry, Doll God (Aldrich), won the New Mexico-Arizona Book Award for Poetry. Luanne’s Pushcart and Best of the Net-nominated poetry and prose have appeared in Copper Nickel, American Journal of Poetry, Pleiades, Tipton Poetry Review, River Teeth, TAB, Verse Daily, Glass: A Journal of Poetry, Saranac Review, Grist, and other
journals.

Available at Finishing Line Press and from Luanne Castle’s Bookstore.

Blog Tour Schedule:

Sept. 15: Review Tales by Jeyran Main (interview)

Sept. 22: The Bookish Elf (interview)

Sept. 28: the bookworm (guest post)

Oct. 4: Author Anthony Avina’s Blog (interview)

Oct. 11: The Book Connection (interview)

Oct. 19: CelticLady’s Reviews (guest post)

Oct. 25: The Soapy Violinist (guest post)

Follow the blog tour with the hashtag #rootedandwinged @writersitetweet #LuanneCastle

Kin Types by Luanne Castle (Fall 2017)

Our latest tour this fall is Kin Types by Luanne Castle, published by Finishing Line Press in July 2017.

Kin Types is based largely upon genealogy and a fascination with what comes to all of us from the past. A mix of poetry in the traditional sense and highly poetic prose pieces, the collection takes the reader on a journey into the lives of women and somewhat into the lives of men who must carry on alone once the women are gone. The journey of this collection is not a ramble into the past, but a slingshot into the here and now by way of these portrait tales.

Advance Praise:

“Kin Types, where every piece, poem or prose, is a ghost –-but not the sort you can see through. You see, Castle’s ghosts have been resurrected through powerful emotion and startling detail, have been made suddenly solid and real again with a skill that brings to mind the work of Edgar Lee Masters. Herein we find all the heart and heartbreak of ordinary lives from the past finally valuated properly, given their own set of lines and stanzas, their own sentences and paragraphs, the attention and care of a gifted and sympathetic writer. Which is to say, you’re going to want to stick around for a while. Kin Types exists at the precise place where literature and history intersect to make something both beautiful and true.” –Justin Hamm, author of American Ephemeral, editor of the museum of americana

About the Poet:

Winner of the 2015 New Mexico-Arizona Book Award, Doll God, Luanne Castle‘s first collection of poetry, was published by Aldrich Press. Luanne’s poetry and prose have appeared in Grist, Copper Nickel, River Teeth, Glass Poetry Press, Barnstorm Journal, Six Hens, Lunch Ticket, The Review Review, and many other journals. Published by Finishing Line Press, Kin Types was a semi-finalist in the Concrete Wolf chapbook contest.

Luanne has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and creative writing at the University of California, Riverside (Ph.D.); Western Michigan University (MFA); and the Stanford University writing certificate program. Her scholarly work has been published in academic journals, and she contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. For fifteen years, she taught college English. She divides her time between California and Arizona, where she shares land with a herd of javelina. Visit her website.

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Available on Amazon.

Tour Sign-ups Are Closed.

Tour Schedule:

Sept. 12: Modern Creative Life (Typical Tuesday)
Sept. 26: Wall-to-Wall Books (Review)
Oct. 4: The Book Connection (Review)
Oct. 9: CelticLady’s Reviews (Book Spotlight)
Oct. 23: Diary of an Eccentric (Guest Post)
Oct. 27: Lost in Books (Review)
Nov. 8: Diary of an Eccentric (Review)
Nov. 9: Jorie Loves A Story (Review)
Dec. 7: Jorie Loves A Story (Interview)
Dec. 20: Debra Smouse (Review)
TBD: The Reader’s Handbook (Review)

Follow the tour with the hashtag #LuanneCastle.

Doll God by Luanne Castle Tour Feb. 8-March 7, 2015

Thanks to everyone who inspired me to take on my own business.  I appreciate everyone’s advice and support.

And thanks to everyone’s support, I’m announcing the first online marketing tour by Poetic Book Tours.  If you are interested, please fill out the Google Form at the bottom of the post.

Doll God by Luanne Castle is due out Jan. 15, 2015, from Aldrich Press, an imprint of Kelsay Books. 

Here’s a bit about the collection:

Luanne Castle’s debut poetry collection, Doll God, studies traces of the spirit world in human-made and natural objects–a Japanese doll, a Palo Verde tree, a hummingbird. Her exploration leads the reader between the twin poles of nature and creations of the imagination in dolls, myth, and art.

From the first poem, which reveals the child’s wish to be godlike, to the final poem, an elegy for female childhood, this collection echoes with the voices of the many in the one: a walking doll, a murderer, Snow White. Marriage, divorce, motherhood, and family losses set many of the poems in motion. The reader is transported from the lakes of Michigan to the Pacific Ocean to the Sonoran Desert.

These gripping poems take the reader on a journey through what is found, lost, or destroyed. The speaker in one poem insists, “I am still looking for angels.” She has failed to find them yet keeps searching on. She knows that what is lost can be found.

What are others saying about Doll God:

“Every day the world subtracts from itself,” Luanne Castle observes. Her wonderfully titled collection, Doll God, with its rich and varied mix of poems part memoir, part myth and tale, shimmers as it swims as poetry is meant to, upstream against the loss. -Stuart Dybek, MacArthur Fellow and author of Streets in Their Own Ink

In her haunting first collection, Luanne Castle has created a space where “the sounds/of the schoolchildren/and the traffic/grind down/to nothing” and where the reader is invited to experience the lasting echo of our primal human past. Who makes our toys, and why? Which toys and in whose likeness? With startling imagery and a keen eye for the subtler shapes of violence and redemption, Castle asks us to consider and re-consider these questions. Like a “world of broken mirrors waiting” the poems call us back to ourselves, our childhoods, and the potential rewards of prayer and reflection. I find both hope and despair in these pages, where “every day the world subtracts from itself and nothing/is immune,” and every object contains a voice and a story. This is a fierce and beautiful book. -Caroline Goodwin, author of Trapline

Luanne Castle’s new collection, Doll God, is sublime. The manner of these poems– that they embrace the doll and bring to it humanity and divinity–is something to behold. The voice in these poems is tender, visceral, and wonderfully human. Ms. Castle has forged a vision that feels like something you want to dance with, dress up, talk to like a child, but with an adult’s sensibility. I love these poems with my whole heart because they make me feel both childlike and grown, simultaneously. Doll mistresses, primordial conches, Barbies, infuse these poems with tremendous humanity, and they delight with purpose, sadness and joy, and an incredible range that will leave you breathless. -Matthew Lippman, author of American Chew

About the Poet:

Luanne Castle has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and Creative Writing at the University of California, Riverside; Western Michigan University; and Stanford University. Her poetry and creative nonfiction have appeared in Barnstorm Journal, Grist, The Antigonish Review, Ducts, TAB, River Teeth, Lunch Ticket, Wisconsin Review, The MacGuffin, and other journals. She contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. Luanne divides her time between California and Arizona, where she shares land with a herd of javelina.

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Tour Stops:
Feb. 9: Patricia’s Wisdom (review)
Feb. 10: Everything Distils Into Reading (review)
Feb. 13: Bell, Book & Candle (review)
Feb. 14: Book Dilettante (review)
Feb. 19: Peeking Between the Pages (Author Guest Post)
Feb. 20: Peeking Between the Pages (review)
Feb. 22: Regular Rumination (review)
Feb. 23:  A Garden Carried in the Pocket (review)
Feb. 24: Bookgirl’s Nightstand (review)
March 1: Tea Leaves (review)
March 4: Diary of an Eccentric (review)
March 6: Savvy Verse & Wit (review)