Winter at a Summer House by Mary Beth Hines (Dec. 2021-March 2022)
Please join us for our Winter 2022 blog tour for Winter at a Summer House by Mary Beth Hines, published by Kelsay Books in November 2021.
In Winter at a Summer House, Mary Beth Hines’s poems speak to the sublime and risks in every middle-class home, small city neighborhood, seaside retreat, or suburban backyard. Vivid, tactile imagery suffuses the collection, which follows the arc of a life from birth/first words to death/last words. Together, these poems create a sometimes heartbreaking, but often humorous and joyous, narrative that speaks to all readers.
“The poems in Mary Beth Hines’s first collection, Winter at a Summer House, strike a wonderful balance between narratives of everyday experience and a pristine, pure poetic imagination. Always rhythmically diverse, most of the time mellifluous, and often intense, Hines’s poetry vividly paints the life of a modern self-made woman, with her worries and obligations, her family, and her dreams. In response to the heroine’s world, this poetry, never static, vibrates with all sorts of emotions: love, friendship, youthful
infatuations, amorousness, jealousy, altruism. As a result, the book gives its reader all the pleasures of a novel – and of lyric novelty.” – Katia Kapovich, the author of Gogol in Rome and Cossacks and Bandits
“Mary Beth Hines sings to us out of the staircases, back yards, and swimming pools of a life sumptuously lived, a world rife with joys and enticements, with girlhood wish and adulthood tryst. Each song lifts on the updrafts of a language passionately breathed, The poems are arrayed with such stunning craft that the art dissolves into the narrative. One forgets that one is reading and imagines that one is reliving this life. Winter at a Summer House is, in the words of one of the poems, a “gift to spark remembrance,” as if the memories had become our own.” -Tom Daley, the author of House You Cannot Reach
“Hines grew up in Massachusetts, adjacent to the Atlantic Ocean, and the poems in this debut collection are filled with richly detailed imagery evoking the sea—of characters swimming, bathing, diving, as if time were an unpredictable element and living, a process of navigating unexpected currents. … A dynamic and colorful set of poems inspired by water and ocean imagery. ” – Kirkus Reviews
About the Author:
Mary Beth Hines grew up in Massachusetts where she spent Saturday afternoons ditching ballet to pursue stories and poems deep in the stacks of the Waltham Public Library. She earned bachelor of arts in English from The College of the Holy Cross, and studied for a year at Durham University in England. She began a regular creative writing practice following a career in public service (Volpe Center, Cambridge, Massachusetts), leading award-winning national outreach, communications, and workforce programs. Her poetry, short fiction, and non-fiction appear in dozens of literary journals and anthologies both nationally and abroad. Winter at a Summer House is her first poetry collection. When not reading or writing, she swims, walks in the woods, plays with friends, travels with her husband, and enjoys life with their family, including their two beloved grandchildren. Visit her online.
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Available at Kelsay Books and Amazon.
Blog Tour Schedule:
Dec. 7: Review Tales by Jeyran Main (Guest Post)
Dec. 14: The Book Lover’s Boudoir (Review)
Dec. 15: Wall-to-Wall Books (Review)
Jan. 4: Author Anthony Avina (Guest Post)
Jan. 13: Author Anthony Avina (Review)
Jan. 26: The Book Connection (Review)
March 25: True Book Addict (Review)
March 30: Necromancy Never Pays (Review)
Follow the blog tour with hashtags #winteratsummerhouse and @MaryBethHinesXO
Doll God by Luanne Castle Tour Feb. 8-March 7, 2015
Thanks to everyone who inspired me to take on my own business. I appreciate everyone’s advice and support.
And thanks to everyone’s support, I’m announcing the first online marketing tour by Poetic Book Tours. If you are interested, please fill out the Google Form at the bottom of the post.
Doll God by Luanne Castle is due out Jan. 15, 2015, from Aldrich Press, an imprint of Kelsay Books.
Here’s a bit about the collection:
Luanne Castle’s debut poetry collection, Doll God, studies traces of the spirit world in human-made and natural objects–a Japanese doll, a Palo Verde tree, a hummingbird. Her exploration leads the reader between the twin poles of nature and creations of the imagination in dolls, myth, and art.
From the first poem, which reveals the child’s wish to be godlike, to the final poem, an elegy for female childhood, this collection echoes with the voices of the many in the one: a walking doll, a murderer, Snow White. Marriage, divorce, motherhood, and family losses set many of the poems in motion. The reader is transported from the lakes of Michigan to the Pacific Ocean to the Sonoran Desert.
These gripping poems take the reader on a journey through what is found, lost, or destroyed. The speaker in one poem insists, “I am still looking for angels.” She has failed to find them yet keeps searching on. She knows that what is lost can be found.
What are others saying about Doll God:
“Every day the world subtracts from itself,” Luanne Castle observes. Her wonderfully titled collection, Doll God, with its rich and varied mix of poems part memoir, part myth and tale, shimmers as it swims as poetry is meant to, upstream against the loss. -Stuart Dybek, MacArthur Fellow and author of Streets in Their Own Ink
In her haunting first collection, Luanne Castle has created a space where “the sounds/of the schoolchildren/and the traffic/grind down/to nothing” and where the reader is invited to experience the lasting echo of our primal human past. Who makes our toys, and why? Which toys and in whose likeness? With startling imagery and a keen eye for the subtler shapes of violence and redemption, Castle asks us to consider and re-consider these questions. Like a “world of broken mirrors waiting” the poems call us back to ourselves, our childhoods, and the potential rewards of prayer and reflection. I find both hope and despair in these pages, where “every day the world subtracts from itself and nothing/is immune,” and every object contains a voice and a story. This is a fierce and beautiful book. -Caroline Goodwin, author of Trapline
Luanne Castle’s new collection, Doll God, is sublime. The manner of these poems– that they embrace the doll and bring to it humanity and divinity–is something to behold. The voice in these poems is tender, visceral, and wonderfully human. Ms. Castle has forged a vision that feels like something you want to dance with, dress up, talk to like a child, but with an adult’s sensibility. I love these poems with my whole heart because they make me feel both childlike and grown, simultaneously. Doll mistresses, primordial conches, Barbies, infuse these poems with tremendous humanity, and they delight with purpose, sadness and joy, and an incredible range that will leave you breathless. -Matthew Lippman, author of American Chew
Luanne Castle has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and Creative Writing at the University of California, Riverside; Western Michigan University; and Stanford University. Her poetry and creative nonfiction have appeared in Barnstorm Journal, Grist, The Antigonish Review, Ducts, TAB, River Teeth, Lunch Ticket, Wisconsin Review, The MacGuffin, and other journals. She contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. Luanne divides her time between California and Arizona, where she shares land with a herd of javelina.
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Feb. 9: Patricia’s Wisdom (review)
Feb. 10: Everything Distils Into Reading (review)
Feb. 13: Bell, Book & Candle (review)
Feb. 14: Book Dilettante (review)
Feb. 19: Peeking Between the Pages (Author Guest Post)
Feb. 20: Peeking Between the Pages (review)
Feb. 22: Regular Rumination (review)
Feb. 23: A Garden Carried in the Pocket (review)
Feb. 24: Bookgirl’s Nightstand (review)
March 1: Tea Leaves (review)
March 4: Diary of an Eccentric (review)
March 6: Savvy Verse & Wit (review)