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Doll God by Luanne Castle is due out Jan. 15, 2015, from Aldrich Press, an imprint of Kelsay Books.
Here’s a bit about the collection:
Luanne Castle’s debut poetry collection, Doll God, studies traces of the spirit world in human-made and natural objects–a Japanese doll, a Palo Verde tree, a hummingbird. Her exploration leads the reader between the twin poles of nature and creations of the imagination in dolls, myth, and art.
From the first poem, which reveals the child’s wish to be godlike, to the final poem, an elegy for female childhood, this collection echoes with the voices of the many in the one: a walking doll, a murderer, Snow White. Marriage, divorce, motherhood, and family losses set many of the poems in motion. The reader is transported from the lakes of Michigan to the Pacific Ocean to the Sonoran Desert.
These gripping poems take the reader on a journey through what is found, lost, or destroyed. The speaker in one poem insists, “I am still looking for angels.” She has failed to find them yet keeps searching on. She knows that what is lost can be found.
What are others saying about Doll God:
“Every day the world subtracts from itself,” Luanne Castle observes. Her wonderfully titled collection, Doll God, with its rich and varied mix of poems part memoir, part myth and tale, shimmers as it swims as poetry is meant to, upstream against the loss. -Stuart Dybek, MacArthur Fellow and author of Streets in Their Own Ink
In her haunting first collection, Luanne Castle has created a space where “the sounds/of the schoolchildren/and the traffic/grind down/to nothing” and where the reader is invited to experience the lasting echo of our primal human past. Who makes our toys, and why? Which toys and in whose likeness? With startling imagery and a keen eye for the subtler shapes of violence and redemption, Castle asks us to consider and re-consider these questions. Like a “world of broken mirrors waiting” the poems call us back to ourselves, our childhoods, and the potential rewards of prayer and reflection. I find both hope and despair in these pages, where “every day the world subtracts from itself and nothing/is immune,” and every object contains a voice and a story. This is a fierce and beautiful book. -Caroline Goodwin, author of Trapline
Luanne Castle’s new collection, Doll God, is sublime. The manner of these poems– that they embrace the doll and bring to it humanity and divinity–is something to behold. The voice in these poems is tender, visceral, and wonderfully human. Ms. Castle has forged a vision that feels like something you want to dance with, dress up, talk to like a child, but with an adult’s sensibility. I love these poems with my whole heart because they make me feel both childlike and grown, simultaneously. Doll mistresses, primordial conches, Barbies, infuse these poems with tremendous humanity, and they delight with purpose, sadness and joy, and an incredible range that will leave you breathless. -Matthew Lippman, author of American Chew
Luanne Castle has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and Creative Writing at the University of California, Riverside; Western Michigan University; and Stanford University. Her poetry and creative nonfiction have appeared in Barnstorm Journal, Grist, The Antigonish Review, Ducts, TAB, River Teeth, Lunch Ticket, Wisconsin Review, The MacGuffin, and other journals. She contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. Luanne divides her time between California and Arizona, where she shares land with a herd of javelina.
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